![]() Similarly, an uppercase letter typically needs more space than a lowercase one. A lowercase L is the narrowest, an O takes up more room and a W is even wider. The vast majority of typefaces are proportional and afford a different amount of horizontal space for each letter. Defining feature: Each character occupies the same horizontal space.Most script fonts fall into the display category and are commonly used in identity work, for book covers and projects where a unique and authentic look is desired. For a more masculine scrawl, try Christopher Hand or Black Jack, while Adventure has a grounded and contemporary feel to it. However, Shelley and Bickham are ranked among the classics and are both very elegant. Bellissima is light and airy, and has been a hit for type studio Sudtipos. No script typeface has the profile of Times New Roman or DIN, for example. When looking for script fonts, designers usually seek a unique look and feel, and consequently this genre of typeface doesn't contain any big hitters. Many old-fashioned gothic or blackletter typefaces (such as Osgard Pro) mimic calligraphic lettering ![]() For example, many old-fashioned blackletter or gothic typefaces are made up of calligraphic lettering but don't attempt to join the letters together like the work of a scribe. It's worth emphasising that not all script typefaces mimic cursive writing. ![]() Meanwhile, older script fonts reflect the handwriting style of trained scribes or calligraphers, going right back to Claude Garamond’s 'grecs du roi' typeface designed in 1541. Others take the authenticity in the other direction, depicting more honest handwriting styles – scrawling, scratchy and practical-looking. Some contemporary script fonts attempt to replicate the natural flow of writing in a very elegant way, with swooshes and end strokes that swing back underneath the letters for emphasis. As a result, there are many different styles. Script fonts mimic the features you'd find in handwriting.
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